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| Big Headed Baby (Reverse Mix) | Kramer | 1:08 | 7 | 9 | 10 | A7 | – | A9 |
| Biological | Albini | 2:11 | 26 | 25 | – | – | 19 | – |
|
Changed (Second Mix) nb. ‘You Gonna Change’ on A Reverse… |
Kramer | 1:05 | 12 | – | – | – | 8 | – |
| Chicken Walk (Second Mix) | Kramer | 2:53 | 6 | 5 | 6 | – | 5 | A5 |
| Chicken Walk (Reverse Mix) | Kramer | 2:53 | – | – | – | A6 | – | – |
| Colty | Albini | 1:45 | 35 | 23 | – | – | – | – |
| Comeback (Second Mix) | Kramer | 3:11 | 10 | 14 | 17 | – | 13 | B5 |
| Comeback (Reverse Mix) | Kramer | 3:11 | – | – | – | B2 | – | – |
| Eliza Jane | Albini | 2:03 | 21 | 21 | – | – | 11 | – |
| Exploder | Albini | 2:01 | 18 | – | – | – | 3 | – |
| Eye To Eye | Albini | 1:42 | 20 | 20 | 12 | – | 10 | – |
| The Feeling of Love | Albini | 1:50 | 23 | 10 | 13 | – | – | B1 |
|
The Feeling of Love (Alt. Take) nb. Different take to Crypt Style |
Albini | 1:47 | – | – | – | – | 16 | – |
| 40lb Block of Cheese (Reverse Mix) | Kramer | 2:05 | 15 | 17 | – | B7 | – | B8 |
| History of Sex (Second Mix) | Kramer | 1:46 | 4 | 13 | 16 | – | 12 | B4 |
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History of Sex (Reverse Mix) nb. inc. 10s of studio ambience on intro |
Kramer | 1:51 | – | – | – | A4 | – | – |
| History of Sex | Albini | 1:57 | 32 | – | – | – | – | – |
| History of Sex (Clawfist) | – | 1:46 | 38 | – | – | – | – | – |
| I.E.V. | Albini | 1:43 | 17 | 19 | – | – | 2 | – |
| Intro A | Albini | 0:53 | 25 | 24 | – | – | 18 | – |
| Kill-A-Man | Albini | 1:52 | 30 | 11 | 14 | – | – | B2 |
| Latch On | – | 1:22 | 34 | – | – | – | – | – |
| Like A Hawk | Albini | 2:25 | 29 | 8 | 9 | – | – | A8 |
| Lovin’ Up A Storm (Second Mix) | Kramer | 1:45 | 9 | 1 | 1 | – | – | A1 |
| Lovin’ Up A Storm (Reverse Mix) | Kramer | 1:45 | – | – | – | B1 | – | – |
| Maynard Ave. | Albini | 1:55 | 22 | 22 | 4 | – | 15 | – |
| Mo’ Chicken/Let’s Get Funky | Albini | 2:42 | 28 | 6 | 7 | – | – | A6 |
| Rachel (Second Mix) | Kramer | 2:25 | 5 | 12 | 15 | – | 4 | B3 |
| Rachel (Reverse Mix) | Kramer | 2:25 | – | – | – | A5 | – | – |
| ’78 Style (Reverse Mix) | Kramer | 1:26 | 11 | 4 | 5 | – | 7 | A4 |
|
’78 Style (Reverse Mix) nb. inc. 14s of studio ambience on intro |
Kramer | 1:35 | – | – | – | B3 | – | – |
| Shirt Jac | – | 1:26 | 33 | – | – | – | – | – |
| Smoke Cigarettes | – | 1:34 | 37 | – | – | – | – | – |
| Support-A-Man (Second Mix) | Kramer | 2:01 | 8 | 2 | 2 | – | 14 | A2 |
| Support-A-Man (Reverse Mix) | Kramer | 2:01 | – | – | – | A8 | – | – |
| Twentynine | Albini | 2:16 | 31 | 15 | – | – | – | B6 |
| Twenty9 (Reverse Mix) | Kramer | 1:55 | 1 | – | – | A1 | – | – |
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Type Cast (Reverse Mix) nb. inc. false start |
Kramer | 1:51 | 2 | – | – | A2 | – | – |
| Vacuum of Loneliness | Albini | 3:02 | 24 | – | 18 | – | 17 | – |
| Water Main (Reverse Mix) | Kramer | 1:15 | 3 | 7 | 8 | A3 | – | A7 |
| Water Main | Albini | 1:52 | 27 | – | – | – | 20 | – |
| What To Do (Second Mix) | Kramer | 1:31 | 14 | 16 | – | – | – | B7 |
| What To Do | Albini | 2:12 | 19 | – | – | – | 9 | – |
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What To Do (Reverse Mix) nb. inc. 7s studio ambience on intro |
Kramer | 1:34 | – | – | – | B6 | – | – |
| White Tail (Reverse Mix) | Kramer | 2:29 | 13 | 3 | 3 | – | 6 | A3 |
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White Tail (Reverse Mix) nb. inc. false start |
Kramer | 2:35 | – | – | – | B5 | – | – |
| Write A Song | Albini | 1:53 | 16 | 18 | 11 | – | 1 | – |
| Write A Song (Clawfist) | – | 2:05 | 36 | – | – | – | – | – |
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You Gonna Change (Reverse Mix) nb. titled ‘Changed’on s/t album |
Kramer | 1:08 | 12 | – | – | B4 | – | – |
| nb. Run times are approximate as they tend to vary between the different releases and may be 2 seconds longer or shorter than those given above. | ||||||||
| REGARDING THE FIRST ALBUM: | ||||||||
|
“Fiz: What’s the deal with the three different versions of the album?
Jon: The first one – A Reverse Willie Horton – is a bootleg. Fiz: That’s the one with the black girl on the cover? Jon: Yeah. When I was travelling around with the Gibson Bros. last year I had a tape of that with me because we had just done it. I let a few people dub it so maybe something came from that. Then the Caroline record – there was a record in the US, and then there’s a version out in England, too. Then Crypt Style is for Germany and the rest of Europe. Fiz: And there are a few oddball tracks from album to album, right? Jon: Yeah, there’s a big difference… I think the Crypt one has about eight of ten songs that aren’t on the Caroline one. It’s a little shorter and I think it works better. I think the Caroline one is maybe a little too long. Fiz: Well, to be perfectly honest I haven’t been able to find it anywhere. Jon: That’s bad to hear. But basically that bootleg is just the first recording session in it’s entirety from start to finish. Fiz: Do you like the cover for that? Jon: Yeah, it was alright. Fiz: I liked it. Jon: I mean, we got some copies of it, so it wasn’t the worst thing in the world to have happened. Fiz: That’s nice when people at least supply you with a copy of the record they’re bootlegging your band with. Jon: That session was done with Kramer [Shimmy Disk/Bongwater] over a three hour deal. Fiz: You recorded the whole thing in three hours? Jon: Yeah. Then we did a session with Steve Albini over about a day and a half. So the Caroline and the Crypt records take material from both of those sessions. Fiz: SO, you’ve say that it was definitely worth it to search out the various version of the record? Jon: I mean, if you have to buy one, buy the Crypt record – it’s our record. I’ll tell you, the Caroline record has the horn section, and it’s the one that has the Theremin.” – Excerpt from the ‘All Roads Lead to Spencer‘ 3400 word article from Fiz, March 1993 (CLICK HERE to read the whole thing). |
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