19 November 1988 | Performance | – |
NOTES: | |
Review of the Pussy Galore EP Sugarshit Sharp from Performance.
The Michael Lavine band photo was also used on the Penetration In The Centerfold 7″ sleeve released in Japan. |
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ARTICLE TEXT: | |
“Sounds November 19 1988
Performance One Lump or Two? Pussy Galore ‘Sugarshit Sharp’ THIS IS a 21st Century mindwarp collision. This is Pussy Galore, the American Nightmare, re-inventing thrash and spelling it trash. ‘Sugarshit Sharp’ is a frenzied cyclone of snatched sounds and influences which makes for an experiment without a conclusion or a need for one. If rock music really has nowhere else to go, the Pussy Galore are dragging it back to the rat-invested sewers, where it rightly belongs. First they butcher Einsturzende Neubauten’s ‘Yu-Gung’, if that’s possible, mixing in samples of Public Enemy’s ‘Don’t Believe The Hype’. One long, over-stated mindscrew of guitars, drums and vocals, ‘Yu-Gung’ is Pussy Galore putting rock through a blender of razor blades and watching their baby go red. It’s one long blood-curdling scream. Side two contains five new songs and reveals the band’s delightful ability to make the most miss-timed, ugliest noise around. Drums stampede in all directions; guitars fuzz Cramps-style and are castrated mercilessly and the vocals sound like they’ve been dragged backwards through a loudhailer. And yet, Pussy Galore are steeped in rock ‘n’ roll tradition; they have just chosen to disfigure their heritage. ‘Sugarshit Sharp’ verges on the absurd – a place where Pussy Galore obviously like to hang out. The noise has been stitched together by sonic surgeons with a masochistic glee in their eyes and machetes as needles. Pussy Galore’s art is their ability to make their worst sound better than anything else around. Ron Rom.” |